"- But Ann Hathaway? Mr Best's quiet voice said forgetfully. Yes, we seem to be forgetting her as Shakespeare himself forgot her.
His look went from brooder's beard to carper's skull, to remind, to chide them not unkindly, then to the baldpink lollard costard, guiltless though maligned." (U9.240)
"- He had a good groatsworth of wit, Stephen said, and no truant memory. He carried a memory in his wallet as he trudged to Romeville whistling The girl I left behind me.
If the earthquake did not time it we should know where to place poor Wat, sitting in his form, the cry of hounds, the studded bridle and her blue windows. That memory, Venus and Adonis, lay in the bedchamber of every light-of-love in London." (U9.245)
"Is Katharine the shrew illfavoured? Hortensio calls her young and beautiful. Do you think the writer of Antony and Cleopatra, a passionate pilgrim, had his eyes in the back of his head that he chose the ugliest doxy in all Warwickshire to lie withal? Good: he left her and gained the world of men. But his boywomen are the women of a boy. Their life, thought, speech are lent them by males. He chose badly? He was chosen, it seems to me." (U9.250)
"If others have their will Ann hath a way. By cock, she was to blame. She put the comether on him, sweet and twentysix. The greyeyed goddess who bends over the boy Adonis, stooping to conquer, as prologue to the swelling act, is a boldfaced Stratford wench who tumbles in a cornfield a lover younger than herself." (U9.256)
"And my turn? When?
Come!
- Ryefield, Mr Best said brightly, gladly, raising his new book, gladly, brightly." (U9.261)
"- Are you going? John Eglinton's active eyebrows asked. Shall we see you at Moore's tonight? Piper is coming.
- Piper! Mr Best piped. Is Piper back?
Peter Piper pecked a peck of pick of peck of pickled pepper.
- I don't know if I can. Thursday. We have our meeting. If I can get away in time." (U9.273)
"Stephen looked down on a wide headless caubeen, hung on his ashplanthandle over his knee. My casque and sword. Touch lightly with two index fingers. Aristotle's experiment. One or two? Necessity is that in virtue of which it is impossible that one can be otherwise. Argal, one hat is one hat.
Listen." (U12.295)
"Did you hear Miss Mitchell's joke about Moore and Martyn? That Moore is Martyn's wild oats? Awfully clever, isn't it?" (U9.306)

(Image courtesy of the ZJJF)
"Cordelia. Cordoglio. Lir's loneliest daughter.
Nookshotten. Now your best French polish.
- Thank you very much, Mr Russell, Stephen said, rising. If you will be so kind as to give the letter to Mr Norman...
- O, yes. If he considers it important it will go in. We have so much correspondence.
- I understand, Stephen said. Thanks.
Good ild you. The pigs' paper. Bullockbefriending." (U9.314)
"- Is it your view, then, that she was not faithful to the poet?
Alarmed face asks me. Why did he come? Courtesy or an inward light?
- Where there is a reconciliation, Stephen said, there must have been first a sundering.
- Yes." (U9.331)
"Christfox in leather trews, hiding, a runaway in blighted treeforks from hue and cry. Knowing no vixen, walking lonely in the chase. Women he won to him, tender people, a whore of Babylon, ladies of justices, bully tapsters' wives. Fox and geese." (U9.337)
"And in New Place a slack dishonoured body that once was comely, once as sweet, as fresh as cinnamon, now her leaves falling, all, bare, frighted of the narrow grave and unforgiven." (U9.340)

In early 1597, Shakespeare bought 'New Place,' the second biggest house in Stratford (one of the purchase documents survives), and may have done some renovations to it.
"Coffined thoughts around me, in mummycases, embalmed in spice of words. Thoth, god of libraries, a birdgod, moonycrowned. And I heard the voice of that Egyptian highpriest. In painted chambers loaded with tilebooks.
They are still. Once quick in the brains of men. Still: but an itch of death is in them, to tell me in my ear a maudlin tale, urge me to wreak their will.
- Certainly, John Eglinton mused, of all great men he is the most enigmatic. We know nothing but that he lived and suffered. Not even so much. Others abide our question. A shadow hangs over all the rest." (U9.352)
"- But Hamlet is so personal, isn't it? Mr Best pleaded. I mean, a kind of private paper, don't you know, of his private life. I mean I don't care a button, don't you know, who is killed or who is guilty...
He rested an innocent book on the edge of the desk, smiling his defiance. His private papers in the original. Ta an bad ar an tir. Taim imo shagart. Put beurla on it, littlejohn.
Quoth littlejohn Eglinton:
- I was prepared for paradoxes from what Malachi Mulligan told us but I may as well warn you that if you want to shake my belief that Shakespeare is Hamlet you have a stern task before you.
Bear with me.
Stephen withstood the bane of miscreant eyes, glinting stern under wrinkled brows. A basilisk. E quando vede l'uomo l'attosca. Messer Brunetto, I thank thee for the word." (U9.362)
"- As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time," (U9.376)
"- Yes, Mr Best said youngly, I feel Hamlet quite young. The bitterness might be from the father but the passages with Ophelia are surely from the son.
Has the wrong sow by the lug. He is in my father. I am in his son.
- That mole is the last to go, Stephen said, laughing.
John Eglinton made a nothing pleasing mow." (U9.387)
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