- The spirit of reconciliation, the quaker librarian breathed.
—There can be no reconciliation, Stephen said, if there has not been a sundering.
Said that." (U9.393)
'L'Art d'Etre Grand-Père' (1877) is a collection of poems by Victor Hugo (1802 - 1885) celebrating the emotions of grand-fatherhood. It is his last book of poetry, written while in exile in Guernsey for his political views (against Napoleon). Victor Hugo dotes on his two grandchildren, Georges and Jeanne. He is acutely aware in his old age of childhood, as well as death and rebirth, springtime, innocence, love etc. Hugo had 5 children: Leopold-Victor (died in infancy), Leopoldine (drowned at 19), Charles-Victor, Francois-Victor, and Adèle; only Adèle outlived him.
Do you know what you are talking about? Love, yes. Word known to all men. Amor hero a liquid alicui bonus vult unde et ea quad concupiscimus...
- His own image to a man with that queer thing genius is the standard of all experience, material and moral. Such an appeal will touch him. The images of other males of his blood will repel him. He will see in them grotesque attempts of nature to foretell or repeat himself. " (U19.427)
- I hope Mr Dedalus will work out his theory for the enlightenment of the public. And we ought to mention another Irish commentator, Mr George Bernard Shaw. Nor should we forget Mr Frank Harris. His articles on Shakespeare in the Saturday Review were surely brilliant. Oddly enough he too draws for us an unhappy relation with the dark lady of the sonnets. The favoured rival is William Herbert, earl of Pembroke. I own that if the poet must be rejected, such a rejection would seem more in harmony with - what shall I say? - our notions of what ought not to have been." (U9.436)
He thous and thees her with grave husbandwords. Dost love, Miriam? Dost love thy man?
- That may be too, Stephen said." (U9.446)
Why does he send to one who is a buonaroba, a bay where all men ride, a maid of honour with a scandalous girlhood, a lordling to woo for him?" (U9.450)
- The soul has been before stricken mortally, a poison poured in the porch of a sleeping ear. But those who are done to death in sleep cannot know the manner of their quell unless their Creator endow their souls with that knowledge in the life to come. The poisoning and the beast with two backs that urged it king Hamlet's ghost could not know of were he not endowed with knowledge by his creator." (U9.466)
From Shakespeare's Cymbeline:
Imogen is princess of Britain, and the virtuous wife of the exiled Posthumus, whose praise of her moral purity incites Posthumus's acquaintance Iachimo to bet Postumus that he can seduce her. When he fails, Iachimo hides in her bedchamber and uncovers her body while she sleeps, observing details of a mole on her breast which he then describes to Posthumus as proof that he had slept with her. Posthumus plots to kill his wife, but the designated killer reveals the plot to Imogen and advises her to hide; she escapes to the woods dressed as a man and falls in with a family who help her. Taking a drug, she falls into a coma and is presumed dead by the family, who cover her body and sing a song over her. When she wakes she finds the headless body of Cloten, a brutish character who had planned to rape her while wearing Posthumus's clothes, but had been killed in a fight with one of the men who took her in. She mistakes the headless body for that of her husband. After the battle at the climax of the play she confronts Iachimo who confesses his lies. She is reunited with Posthumus, her father (King Cymbeline), and discovers two of the men who took her in are actually her long lost brothers.
- Amen! responded from the doorway.
Hast thou found me, O mine enemy?" (U9.476)