This PC shows the entrance of nighttown in Casablanca, Morocco.
They grab wafers between which are wedged lumps of coral and copper snow. Sucking, they scatter slowly, children. The swancomb of the gondola, highreared, forges on through the murk, white and blue under a lighthouse. Whistles call and answer.)
Wait, my love, and I'll be with you.
Round behind the stable."
(Lifts a palsied left arm and gurgles.) Ghahute!" (U15.14)
(They release him. He jerks on. A pigmy woman swings on a rope slung between two railings, counting. A form sprawled against a dustbin] and muffled by its arm and hat snores, groans, grinding growling teeth, and snores again."
I gave it to Molly
Because she was jolly,
The leg of the duck,
The leg of the duck."
(Jerks his finger.) Way for the parson.
(Turns and calls.) What ho, parson!"
(Her voice whispering huskily.) Sst! Come here till I tell you. Maidenhead inside. Sst!
(Altius aliquantulum.) Et omnes ad quos pervenit aqua ista."
(spits in their trail her jet of venom) Trinity medicals. Fallopian tube. All prick and no pence.
(Edy Boardman, sniffling, crouched with Bertha Supple, draws her shawl across her nostrils.)
We have shrewridden Shakespeare and henpecked Socrates. Even the allwisest Stagyrite was bitted, bridled and mounted by a light of love.
Ba! " (U15.110)
Anyway, who wants two gestures to illustrate a loaf and a jug? This movement illustrates the loaf and jug of bread and wine in Omar. Hold my stick.
Damn your yellow stick. Where are we going?" (U15.115)
Lecherous lynx, to la belle dame sans merci, Georgina Johnson, ad deam qui laetificat iuventutem meam.
(Stephen thrusts the ashplant on him and slowly holds out his hands, his head going back till both hands are a span from his breast, down turned in planes intersecting, the fingers about to part, the left being higher.)
Which is the jug of bread? It skills not. That or the customhouse. Illustrate thou. Here take your crutch and walk." (U15.121)