"BLOOM
(low, secretly, ever more rapidly) And Molly was eating a sandwich of spiced beef out of Mrs Joe Gallaher's lunch basket."
(U15.563)
(low, secretly, ever more rapidly) And Molly was eating a sandwich of spiced beef out of Mrs Joe Gallaher's lunch basket."
(U15.563)
"Frankly, though she had her advisers or admirers, I never cared much for her style. She was....
MRS BREEN
Too ...."
(U15.565)
MRS BREEN
Too ...."
(U15.565)
"BLOOM
Yes. And Molly was laughing because Rogers and Maggot O'Reilly were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses, the tea merchant, drove past us in a gig with his daughter, Dancer Moses was her name,"
(U15.569)
Yes. And Molly was laughing because Rogers and Maggot O'Reilly were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses, the tea merchant, drove past us in a gig with his daughter, Dancer Moses was her name,"
(U15.569)
"and the poodle in her lap bridled up and you asked me if I ever heard or read or knew or came across ...."
(U15.573)
(U15.573)
"MRS BREEN
(eagerly) Yes, yes, yes, yes, yes, yes, yes.
(She fades from his side. Followed by the whining dog he walks on towards hellsgates."
(U15.575)
(eagerly) Yes, yes, yes, yes, yes, yes, yes.
(She fades from his side. Followed by the whining dog he walks on towards hellsgates."
(U15.575)
"In an archway a standing woman, bent forward, her feet apart, pisses cowily. Outside a shuttered pub a bunch of loiterers listen to a tale which their brokensnouted gaffer rasps out with raucous humour. An armless pair of them flop wrestling, growling, in maimed sodden playfight.)
THE GAFFER
(Crouches, his voice twisted in his snout.) And when Cairns came down from the scaffolding in Beaver Street what was he after doing it into only into the bucket of porter that was there waiting on the shavings for Derwan's plasterers.
THE LOITERERS
(guffaw with cleft palates) O jays!
(Their paintspeckled hats wag. Spattered with size and lime of their lodges they frisk limblessly about him.)
BLOOM
Coincidence too. They think it funny. Anything but that. Broad daylight. Trying to walk. Lucky no woman.
THE LOITERERS
Jays, that's a good one. Glauber salts. O jays, into the men's porter." (U15.578)
THE GAFFER
(Crouches, his voice twisted in his snout.) And when Cairns came down from the scaffolding in Beaver Street what was he after doing it into only into the bucket of porter that was there waiting on the shavings for Derwan's plasterers.
THE LOITERERS
(guffaw with cleft palates) O jays!
(Their paintspeckled hats wag. Spattered with size and lime of their lodges they frisk limblessly about him.)
BLOOM
Coincidence too. They think it funny. Anything but that. Broad daylight. Trying to walk. Lucky no woman.
THE LOITERERS
Jays, that's a good one. Glauber salts. O jays, into the men's porter." (U15.578)
"(Bloom passes. Cheap whores, singly, coupled, shawled, dishevelled, call from lanes, doors, corners.)"
(U15.597)
(U15.597)
"THE WHORES
Are you going far, queer fellow?
How's your middle leg?
Got a match on you?
Eh, come here till I stiffen it for you."
(U15.599)
Are you going far, queer fellow?
How's your middle leg?
Got a match on you?
Eh, come here till I stiffen it for you."
(U15.599)
"(He plodges through their sump towards the lighted street beyond. From a bulge of window curtains a gramophone rears a battered brazen trunk. In the shadow a shebeenkeeper haggles with the navvy and the two redcoats.)
THE NAVVY
(Belching.) Where's the bloody house?
THE SHEBEENKEEPER
Purdon street. Shilling a bottle of stout. Respectable woman."
(U15.604)
THE NAVVY
(Belching.) Where's the bloody house?
THE SHEBEENKEEPER
Purdon street. Shilling a bottle of stout. Respectable woman."
(U15.604)
"THE NAVVY
(Gripping the two redcoats, staggers forward with them.)
Come on, you British army!
PRIVATE CARR
(Behind his back.) He aint half balmy.
PRIVATE COMPTON
(Laughs.) What ho!"
(U15.613)
(Gripping the two redcoats, staggers forward with them.)
Come on, you British army!
PRIVATE CARR
(Behind his back.) He aint half balmy.
PRIVATE COMPTON
(Laughs.) What ho!"
(U15.613)
"PRIVATE CARR
(To the navvy.) Portobello barracks canteen. You ask for Carr. Just Carr.
THE NAVVY
(shouts)
We are the boys. Of Wexford."
(U15.620)
(To the navvy.) Portobello barracks canteen. You ask for Carr. Just Carr.
THE NAVVY
(shouts)
We are the boys. Of Wexford."
(U15.620)
"THE NAVVY
(shouts)
We are the boys. Of Wexford.
PRIVATE COMPTON
Say! What price the sergeantmajor?
PRIVATE CARR
Bennett? He's my pal. I love old Bennett."
(U15.621)
(shouts)
We are the boys. Of Wexford.
PRIVATE COMPTON
Say! What price the sergeantmajor?
PRIVATE CARR
Bennett? He's my pal. I love old Bennett."
(U15.621)
"THE NAVVY
(shouts)
The galling chain.
And free our native land.
(He staggers forward, dragging them with him. Bloom stops, at fault."
(U15.628)
(shouts)
The galling chain.
And free our native land.
(He staggers forward, dragging them with him. Bloom stops, at fault."
(U15.628)
"The dog approaches, his tongue outlolling, panting.)
BLOOM
Wildgoose chase this. Disorderly houses. Lord knows where they are gone. Drunks cover distance double quick. Nice mixup. Scene at Westland row."
(U15.633)
BLOOM
Wildgoose chase this. Disorderly houses. Lord knows where they are gone. Drunks cover distance double quick. Nice mixup. Scene at Westland row."
(U15.633)
"Then jump in first class with third ticket."
(U15.637)
(U15.637)
"Then too far. Train with engine behind. Might have taken me to Malahide or a siding for the night or collision. Second drink does it. Once is a dose. What am I following him for? Still, he's the best of that lot. If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have met. Kismet."
(U15.637)
(U15.637)