* In Christian theology, Agnus Dei (Latin = Lamb of God) refers to Jesus Christ in his role of sacrificial offering to atone for the sins of man (after John 1:29).
* In Christian art, an Agnus Dei is a representation of Jesus as a lamb bearing a cross or a banner.
* Falling from Ellen Bloom's pocket, it refers to a tablet of wax stamped with a representation of Jesus as the Agnus Dei, blessed by the pope.
'Celluloid' is a class of synthetic compounds created from nitrocellulose and camphor, and considered to be the first thermoplastic. It was first created as Parkesine (1856) and as Xylonite (1869) before being registered as Celluloid (1870). Celluloid is easily molded and shaped. Initially used as an ivory replacement, it became widely used in the 19c. and the first half of the 20c. in knife handles, fountain pen bodies, collars and cuffs, toys, etc. and later in photographic film as well. However, it was highly flammable easily and easily decomposed, and in time was replaced by cellulose acetate plastics then polyester. It is no longer used today, except for table tennis ball and guitar picks. The image is a hand-painted celluloid postcard from the 1900s.
(Bloom, mumbling, his eyes downcast, begins to bestow his parcels in his filled pockets but desists, muttering.)
Who? (he ducks and wards off a blow clumsily) At your service.
(He looks up." (U15.290)
Welly? Mrs Marion from this out, my dear man, when you speak to me. (satirically) Has poor little hubby cold feet waiting so long?
(shifts from foot to foot) No, no. Not the least little bit.
(He breathes in deep agitation, swallowing gulps of air, questions, hopes, crubeens for her supper, things to tell her, excuse, desire, spellbound. A coin gleams on her forehead. On her feet are jewelled toerings. Her ankles are linked by a slender fetterchain." (U15.305)
(The camel, lifting a foreleg, plucks from a tree a large mango fruit, offers it to his mistress, blinking, in his cloven hoof, then droops his head and, grunting, with uplifted neck, fumbles to kneel." (U15.313)
I can give you... I mean as your business menagerer... Mrs Marion... if you..." (U15.322)
So you notice some change? (Her hands passing slowly over her trinketed stomacher, a slow friendly mockery in her eyes.) O Poldy, Poldy, you are a poor old stick in the mud! Go and see life. See the wide world.
I was just going back for that lotion whitewax, orangeflower water. Shop closes early on Thursday. But the first thing in the morning. (He pats divers pockets.) This moving kidney. Ah!
(He points to the south, then to the east. A cake of new clean lemon soap arises, diffusing light and perfume.)" (U15.327)
We're a capital couple are Bloom and I.
He brightens the earth. I polish the sky.
(The freckled face of Sweny, the druggist, appears in the disc of the soapsun.)
Three and a penny, please.
Yes. For my wife. Mrs Marion. Special recipe.
Ti trema un poco il cuore?" (U15.337)
Are you sure about that Voglio? I mean the pronunciati...
(He follows, followed by the sniffing terrier. The elderly bawd seizes his sleeve, the bristles of her chinmole glittering.)" (U15.352)
Ten shillings a maidenhead. Fresh thing was never touched. Fifteen. There's no-one in it only her old father that's dead drunk.
(She points. In the gap of her dark den furtive, rainbedraggled Bridie Kelly stands.)
Hatch street. Any good in your mind?" (U15.358)
(Her wolfeyes shining.) He's getting his pleasure. You won't get a virgin in the flash houses. Ten shillings. Don't be all night before the polis in plain clothes sees us. Sixtyseven is a bitch." (U15.365)
With all my worldly goods I thee and thou. (She murmurs.) You did that. I hate you.
I? When? You're dreaming. I never saw you." (U15.372)
Leave the gentleman alone, you cheat. Writing the gentleman false letters. Streetwalking and soliciting. Better for your mother take the strap to you at the bedpost, hussy like you.
(To Bloom.) When you saw all the secrets of my bottom drawer. (She paws his sleeve, slobbering.)" (U15.379)