"Mr Bloom inserted his nose. Hm. Into the. Hm. Opening of his waistcoat. Almonds or. No. Lemons it is. Ah no, that's the soap." (U13.1042)
"Walk after him now make him awkward like those newsboys me today. Still you learn something. See ourselves as others see us. So long as women don't mock what matter? That's the way to find out. Ask yourself who is he now." (13.1056)
"The Mystery Man on the Beach, prize titbit story by Mr Leopold Bloom. Payment at the rate of one guinea per column. And that fellow today at the graveside in the brown macintosh. Corns on his kismet however. Healthy perhaps absorb all the. Whistle brings rain they say. Must be some somewhere. Salt in the Ormond damp. The body feels the atmosphere. Old Betty's joints are on the rack." (U13.1060)
"Mother Shipton's prophecy" (U13.1065)
"that is about ships around they fly in the twinkling. No. Signs of rain it is. The royal reader. And distant hills seem coming nigh." (U13.1065)
"Howth. Bailey light." (U13.1068)
"Two, four, six, eight, nine. See. Has to change or they might think it a house." (U13.1068)
"Wreckers. Grace Darling. People afraid of the dark. Also glowworms, cyclists: lightingup time. Jewels diamonds flash better. Women. Light is a kind of reassuring. Not going to hurt you. Better now of course than long ago. Country roads. Run you through the small guts for nothing. Still two types there are you bob against. Scowl or smile. Pardon! Not at all. Best time to spray plants too in the shade after the sun." (U13.1069)
"Some light still. Red rays are longest. Roygbiv Vance taught us: red, orange, yellow, green, blue, indigo, violet. A star I see. Venus? Can't tell yet. Two. When three it's night. Were those nightclouds there all the time? Looks like a phantom ship. No. Wait. Trees are they?" (U13.1075)
"An optical illusion. Mirage. Land of the setting sun this. Homerule sun setting in the southeast. My native land, goodnight.
Dew falling. Bad for you, dear, to sit on that stone. Brings on white fluxions. Never have little baby then less he was big strong fight his way up through. Might get piles myself. Sticks too like a summer cold, sore on the mouth. Cut with grass or paper worst. Friction of the position." (U13.1078)
"Like to be that rock she sat on. O sweet little, you don't know how nice you looked. I begin to like them at that age. Green apples. Grab at all that offer. Suppose it's the only time we cross legs, seated." (U13.1084)
"Also the library today: those girl graduates. Happy chairs under them. But it's the evening influence. They feel all that. Open like flowers, know their hours, sunflowers, Jerusalem artichokes, in ballrooms, chandeliers, avenues under the lamps." (U13.1087)
"Nightstock in Mat Dillon's garden where I kissed her shoulder. Wish I had a full length oilpainting of her then. June that was too I wooed. The year returns. History repeats itself. Ye crags and peaks I'm with you once again. Life, love, voyage round your own little world. And now? Sad about her lame of course but must be on your guard not to feel too much pity. They take advantage." (U11.1090)
"All quiet on Howth now. The distant hills seem. Where we. The rhododendrons." (U13.1097)
"I am a fool perhaps. He gets the plums and I the plumstones. Where I come in. All that old hill has seen. Names change: that's all." (U13.1098)
"Lovers: yum yum.
Tired I feel now. Will I get up? O wait. Drained all the manhood out of me, little wretch. She kissed me. Never again. My youth. Only once it comes. Or hers. Take the train there tomorrow. No. Returning not the same. Like kids your second visit to a house. The new I want. Nothing new under the sun. Care of P. O. Dolphin's Barn. Are you not happy in your? Naughty darling. At Dolphin's barn charades in Luke Doyle's house." (U13.1100)