Up the quay went Lionelleopold, naughty Henry with letter for Mady, with sweets of sin with frillies for Raoul with met him pike hoses went Poldy on.
Tap blind walked tapping by the tap the curbstone tapping, tap by tap.
Cowley, he stuns himself with it: kind of drunkenness. Better give way only half way the way of a man with a maid. Instance enthusiasts. All ears. Not lose a demisemiquaver. Eyes shut. Head nodding in time. Dotty. You daren't budge." (U11.1187)
"hinking strictly prohibited. Always talking shop. Fiddlefaddle about notes.
All a kind of attempt to talk. Unpleasant when it stops because you never know exac." (U11.1194)
"All a kind of attempt to talk. Unpleasant when it stops because you never know exac. Organ in Gardiner street. Old Glynn fifty quid a year. Queer up there in the cockloft, alone, with stops and locks and keys. Seated all day at the organ. Maunder on for hours, talking to himself or the other fellow blowing the bellows." (U11.1196)
"Growl angry, then shriek cursing (want to have wadding or something in his no don't she cried)," (U11.1200)
"then all of a soft sudden wee little wee little pipy wind.
Pwee! A wee little wind piped eeee. In Bloom's little wee.
—Was he? Mr Dedalus said, returning with fetched pipe. I was with him this morning at poor little Paddy Dignam's ...
— Ay, the Lord have mercy on him." (12.1201)
"— By the bye there's a tuningfork in there on the ...
Tap. Tap. Tap. Tap.
— The wife has a fine voice. Or had. What? Lidwell asked.
— O, that must be the tuner, Lydia said to Simonlionel first I saw, forgot it when he was here." (U11.1207)
"Blind he was she told George Lidwell second I saw. And played so exquisitely, treat to hear. Exquisite contrast: bronzelid, minagold.
— Shout! Ben Dollard shouted, pouring. Sing out!
— 'lldo! cried Father Cowley.
Rrrrrr.
I feel I want....
Tap. Tap. Tap. Tap. Tap
— Very, Mr Dedalus said, staring hard at a headless sardine.' (U11.1212)
"Under the sandwichbell lay on a bier of bread one last, one lonely, last sardine of summer. Bloom alone.
- Very, he stared. The lower register, for choice.
Tap. Tap. Tap. Tap. Tap. Tap. Tap. Tap." (U11.1220)
"Bloom went by Barry's. Wish I could. Wait. That wonderworker if I had. Twentyfour solicitors in that one house. Counted them. Litigation. Love one another. Piles of parchment. Messrs Pick and Pocket have power of attorney. Goulding, Collis, Ward." (U11.1224)
"But for example the chap that wallops the big drum. His vocation: Mickey Rooney's band. Wonder how it first struck him. Sitting at home after pig's cheek and cabbage nursing it in the armchair. Rehearsing his band part. Pom. Pompedy. Jolly for the wife. Asses' skins. Welt them through life, then wallop after death. Pom. Wallop. Seems to be what you call yashmak or I mean kismet. Fate." (U11.1228)
"Tap. Tap. A stripling, blind, with a tapping cane came taptaptapping by Daly's window where a mermaid hair all streaming (but he couldn't see) blew whiffs of a mermaid (blind couldn't), mermaid, coolest whiff of all." (U11.1234)
"Instruments. A blade of grass, shell of her hands, then blow. Even comb and tissuepaper you can knock a tune out of. Molly in her shift in Lombard street west, hair down. I suppose each kind of trade made its own, don't you see? Hunter with a horn. Haw. Have you the?" (U11.1237)
"Cloche. Sonnez la!" (U11.1240)
"Shepherd his pipe. Pwee little pwee." (U11.1241)
"Policeman a whistle. Locks and keys! Sweep! Four o'clock's all's well! Sleep! All is lost now." (U11.1241)
"Drum? Pompedy. Wait, I know. Towncrier, bumbailiff. Long John. Waken the dead. Pom. Dignam. Poor little nominedomine. Pom. It is music. I mean of course it's all pom pom pom very much what they call da capo. Still you can hear. As we march we march along, march along. Pom." (U11.1242)