Carefully avoiding a book in his pocket Sweets of, which reminded him by the by of that Capel street library book out of date, he took out his pocketbook and, turning over the various contents it contained rapidly finally he.
—Do you consider, by the by, he said, thoughtfully selecting a faded photo which he laid on the table, that a Spanish type?" (U16.1420)
"Stephen, obviously addressed, looked down on the photo showing a large sized lady, with her fleshy charms on evidence in an open fashion, as she was in the full bloom of womanhood, in evening dress cut ostentatiously low for the occasion to give a liberal display of bosom, with more than vision of breasts, her full lips parted, and some perfect teeth, standing near, ostensibly with gravity," (U17.1427)
"a piano on the rest of which was In old Madrid, a ballad, pretty in its way, which was then all the vogue. Her (the lady's) eyes, dark, large, looked at Stephen," (U16.1432)
In Old Madrid is a song with words by G. Clifton Bingham and music by H. Trotère. It starts:
Long years ago, in old Madrid,
Where softly sighs of love the light guitar,
Two sparkling eyes a lattice hid,
Two eyes as darkly bright as love's own star!
There on the casement ledge when day was o'er,
A tiny hand was lightly laid;
A face look'd out, as from the river shore,
There stole a tender serenade!...
"about to smile about something to be admired, Lafayette of Westmoreland street," (U16.1434)
The Duchess of Bedford as photographed by Lafayette, she too about to smile about something...
"Dublin's premier photographic artist," (U16.1435)
Lafayette studios had several branches in Dublin, London, Glasgow and Manchester. (Image courtesy of the ZJJF)
The Dublin studio was at 30 Westmoreland street.
CDVs taken by Lafayette, Dublin.
"— Mrs Bloom, my wife the prima donna Madam Marion Tweedy, Bloom indicated. Taken a few years since. In or about ninety six. Very like her then.
Beside the young man he looked also at the photo of the lady now his legal wife who, he intimated, was the accomplished daughter of Major Brian Tweedy and displayed at an early age remarkable proficiency as a singer having even made her bow to the public when her years numbered barely sweet sixteen." (U 16.1437)
"As for the face it was a speaking likeness in expression but it did not do justice to her figure which came in for a lot of notice usually and which did not come out to the best advantage in that getup. She could without difficulty, he said, have posed for the ensemble, not to dwell on certain opulent curves of the." (U16.1444)
"He dwelt, being a bit of an artist in his spare time, on the female form in general developmentally because, as it so happened, no later than that afternoon, he had seen those Grecian statues, perfectly developed as works of art, in the National Museum" (U16.1448)
"Marble could give the original, shoulders, back, all the symmetry, all the rest. Yes, puritanisme, it does though Saint Joseph's sovereign thievery alors (Bandez!) Figne toi trop. Whereas no photo could because it simply wasn't art in a word." (U16.1451)
"The spirit moving him he would much have liked to follow Jack Tar's good example and leave the likeness there for a very few minutes to speak for itself on the plea he so that the other could drink in the beauty for himself, her stage presence being, frankly, a treat in itself which the camera could not at all do justice to. But it was scarcely professional etiquette so. Though it was a warm pleasant sort of a night now yet wonderfully cool for the season considering, for sunshine after storm. And he did feel a kind of need there and then to follow suit like a kind of inward voice and satisfy a possible need by moving a motion." (U16.1456)
"Nevertheless he sat tight just viewing the slightly soiled photo creased by opulent curves,, none the worse for wear however, and looked away thoughtfully with the intention of not further increasing the other's possible embarrassment while gauging her symmetry of heaving embonpoint. In fact the slight soiling was only an added charm like the case of linen slightly soiled, good as new, much better in fact with the starch out. Suppose she was gone when he?"
"Suppose she was gone when he...? I looked for the lamp which she told me came into his mind but merely as a passing fancy of his because he then recollected the morning littered bed etcetera and the book about Ruby with met him pike hoses (sic) in it which must have fell down sufficiently appropriately beside the domestic chamberpot with apologies to Lindley Murray." (U16.1470)
The vicinity of the young man he certainly relished, educated, distingué and impulsive into the bargain, far and away the pick of the bunch though you wouldn't think he had it in him yet you would." (16.1476)